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样当代

你到过世界尽头吗?

Have you ever been to the world's end?

WATER IN SERIES WITH THE WORLD OF ART

用「水」串联世界艺术

00:00:00
样当代艺术空间

潘逸舟 Ishu Han

1987年生于上海,九岁时移居日本。2012时获得东京艺术大学互动媒体硕士学位,现工作生活于东京。主要创作媒介为其身体,以及日常生活可见的材料,表现形式非常多元,跨及录像、装置、摄影与绘画等。创作概念聚焦在个人与群体如社会与国家之间的关系,讨论社会情境如何在不同的时间与空间语境中,被治理系统所形塑,以及其如何影响个人的认同。

Ishu Han, born in Shanghai in 1987, moved to Japan Aomori at the age of nine. In 2012, Han received a MA in Inter Media Art at Tokyo University of the Arts and currently lives and works in Tokyo. Using his body and everyday materials, Han works in a variety of media including film, installation, photograph and painting. Han’s practice revolves around the idea of relationships between individuals and collective entities such as society and nation .His work suggests how social conditioning that was formed according to time and place by the systems of authority could disrupt the development of individuals’ identity.

 

代表作品 Representative Work  


潘逸舟《阻浪之梦》
视频录像,无声,黑白,16分15秒,2017
Ishu Han A Dream about Stopping the Waves
Video, No sound, Black and white, 16’15”, 2017


阻浪之梦 A Dream about Stopping the Waves

日本被海洋环绕着,这样看海洋就像是日本的边界,因为和周边国家有着模糊不明确的边界划分,所以在外交上我们也经常发生摩擦与冲突。也许对我来说大海的另一边也是我的故乡。我穿着安保制服不断地重复着一个单一的行为-试着去阻止绵绵不绝的浪潮。这也与我曾经兼职过一段时间的安保工作有关。

这件作品关注的是我的政治身份和社会主体是什么的问题。利用身体去阻止浪潮这也蕴含着我对此认知的矛盾心理。

Japan is surrounded by the sea, which is like a border, an ambiguous boundary to next country where conflicts in diplomacy happen. Maybe the other side of the sea is also my homeland. I, in the uniform of security guard, persistently repeat a single action – trying to stop waves. It may also relate to my previous part time job as a security guard.

This work concerns the question that what my political identity and social body is. And stopping wave by body also contains my ambivalence of this cognition.